I make a full admission upfront; call it a guilty pleasure
or an attempt to hold onto my youth, but I have Kiss music on my Ipod…a lot of
it. That may not be the coolest thing to admit, but then again I never claimed
to be the coolest guy. That being said, I am not now, nor was I ever, a card carrying
member of the Kiss Army, the band’s enthusiastic, over the top (would you
expect anything less) fan club.
So that is the perspective that I take going into Nothing to Lose: The Making of Kiss 1972 –
1975 from author Ken Sharp and the band’s Gene Simmons and Paul Stanley,
the latest entry on the shelf full of books that try to tackle the Kiss story.
Given the time parameters of the title, it’s a safe bet that there is more of
the story to be told. Having muddled through some of the prior books, I wasn’t
surprised that much of the tale was familiar.
Nothing to Lose is
delivered in a similar fashion to Steve Miller’s book Detroit
Rock City with numerous participants delivering their take on the same
subject. You may find yourself flipping back and forth in an attempt to follow
who the person is that is offering up their take given the fact that many of
those quoted are unknown, early fans, roadies, promoters, bar owners and fellow
musicians. After awhile this approach takes on a beating a dead horse quality;
you’d have to really be a die-hard to care about the perspective of the bar
owner, the bar owner’s son, the bar owners daughter, the regular bar patrons,
and the regular bar patrons best friend. You get the picture, it becomes what I
call a Tom Petty Moment; to borrow his
album title Let
Me Up I’ve Had Enough!
While it clearly details the early struggles, the book also
captures the band’s meteoric rise from dinky, dingy clubs to huge arenas; from
early striped down efforts to full blown pyrotechnics, lights and elevating
stages. It is clearly the original lineup of Kiss that remains the one that
matters most to their diehard fans and Nothing
to Lose does an amazing job of telling that story and telling it again and
again and again. Not sure that this one is for the casual fan or guilty
pleasure seeker.
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