There are those great universal questions that people
will ask during a variety of social situations that are the great level setters
that measure our commonalities. You might ask a new acquaintance in a business
networking setting “what do you do for a living?” Or in a more fun social
setting, you might ask “what kind of music do you listen to?” It was a question
that I either love or hated, because my tastes run a wide gamut and if I went
on a dissertation it often results in an eye-glazing stare or I would go generic
and say “say I listen to everything and anything.”
The simple fact that there is so much music out there
and the fact while it’s so different there is still an inherent connection that
ties it all together. Three excellent new books celebrate not only the
diversity of music, but the commonality that ties it all together.
Bring
It On Home: Peter Grant, Led Zeppelin, and Beyond – The Story of Rock’s
Greatest Manager – Mark Blake (Da Capo Press)
As I started this book the thought occurred to me, How
many managers of rock bands, people behind the scenes and not in the spotlight
by design, are the subject of biographies? On reflection, I could come up with
Brian Epstein, the manager of the Beatles who was dubbed “the fifth Beatle” was
an obvious one. Then there are what I can best describe the outrage merchants,
like; Malcolm McLaren, of the Sex Pistols and Kim Fowley who managed and abused
the teen girls who made up the Runaways.
So what qualifies a rock band manager – a job that
doesn’t really come with a job description- to have a biography detailing their
story written? A book detailing the inner-workings of running the day to day
operations of even a huge, world famous rock band would be a bore. I think the
magic ingredient is having a veritable mountain of larger than life stories
that are just outrageous enough to stretch credulity. Led Zeppelin manager
Peter Grant clearly qualifies!
The new book, Bring
It On Home: Peter Grant, Led Zeppelin, and Beyond – The Story of Rock’s
Greatest Manager, from London based rock writer Mark Blake, does an amazing
job of capturing the extravagant, flamboyant man who not only managed Led
Zeppelin, but became the band’s most strident and dedicated advocates. Grant’s zealous
representation made him one of the most feared men in an industry that is chock
full of power players. In the process he truly became one of those folks never
to be trifled with in the business.
Blake offers up great insight into the behind the
scenes machinations and some of the infamous stories about the comings and
goings of Led Zeppelin that will make this a must read for the band’s fans. Bring It On Home, cements Grant’s status
as a true legend and may rank among the most entertaining bios of a band
manager.
Smash!:
Green Day, The Offspring, Bad Religion, NOFX and The 90s Punk Explosion – Ian Winwood
– (Da Capo Press)
One of the things I love about discussing and debating
music with friends are those friendly throw downs about band’s and genres. One
of the more entertaining ones revolves around whether or not the so-called 90s
punks were truly…well…punks? It is that 90s era that is in the spotlight in the
new book Smash!: Green Day, The
Offspring, Bad Religion, NOFX and The 90s Punk Explosion, by veteran Brit rock writer Ian Winwood.
I think the quote from Green Day’s Billie Joe Armstrong,
“Woodstock [94] was about the closest thing to anarchy I’ve ever seen in my
whole life. And I didn’t like it,” really tells you all you need to know about
these punk wannabes. I think that true punks like Johnny “Rotten” Lydon of the
Sex Pistols or the Ramones would have reveled in the raucous outbreak of
rioting that occurred at the pre-fab, over-commercialized version of the
original organic event. Highlighting the dramatic difference between authentic
punks and those who play outsized festivals featuring $10 bottles of water.
While my personal thoughts are that these 90s era guys
are not true punks…that does not diminish their place in music history. Smash! delivers the goods on what amounts
to some of the most important bands of the genre, in that era. It is a balanced
mix of the success these band’s enjoyed and the impact they had on that and
future generations. It really paints a picture of the evolution of the hard
driving punk sound, with for lack of a better term, a more enlightened
attitude.
Wasn’t
That a Time: The Weavers, The Blacklist and the Battle for the Soul of America –
Jesse Jarnow – (DaCapo Press)
No matter what the era, music has always been the
vehicle for the voice of the time. Sometimes it played as the soundtrack that backed
the times, while at others it moved squarely to the forefront and drove change
through social commentary. Some of the greatest songs in music history have spurred
a social evolution/revolution.
In Wasn’t That a Time:
The Weavers, The Blacklist and the Battle for the Soul of America, Jesse Jarnow,
who writes on a diverse range of topics including music and technology, turns
an almost historians eye to the subject of not only the band, the Weavers, which
featured the legendary Pete Seeger, but their place beyond just music but in
society as a whole.
Jarnow paints a vivid portrait of the time against the
backdrop of the so-called Communist Red Scare. While bands from all eras and
styles have engaged in a fight the power type struggle, The Weavers personal
lives and beliefs were the foundation on which their music was based. There was
no playing a part/role; these were true believers who often ran contrary to the
popular beliefs of the time/country and they stuck to their guns with no
concerns about being Dixie Chicked.
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